Description
Berber rugs speak in signs – diamonds, lines and hooks that weavers in the Atlas Mountains have set into the wool for generations. The MARRA takes up this design language and reduces it to the essentials.
On warm beige, the signs are set sparingly; the pattern reads more like handwriting than like decoration. The rug is woven in Turkey, from polypropylene with a good third of jute.
The jute brings the natural, slightly rough character; the polypropylene makes the surface resilient in everyday use. Six sizes are available, including a round one.
On the material
Rug fibres: wool, jute and polypropylene compared
With a rug, the fibre determines almost everything: how it feels, how quickly it looks dirty, whether it feels cold in winter and how long it lasts. Even so, many labels state only a construction and no fibre at all.
Three materials cover most of the market – wool, jute and polypropylene. They differ not in nuances but fundamentally, and none of them is right for everything.
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Rooms
How objects work together once they are in place.
All articlesFrom the Journal
Journal
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- Caring for a wool rug: what wool needs and what harms itWool is one of the easiest rug fibres to care for – as long as it is treated correctly. At the same time it…
- Pairing Cognac Leather: Colours That Work with ItCognac leather is not a single colour but a range – from light caramel to deep reddish-brown. What all…
- Which Colour Goes with Walnut?Walnut is a dark wood with a warm, slightly reddish-brown undertone. It is precisely this undertone that…
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- Styling sideboards and shelvesA sideboard is a surface that fills up by itself. Without a plan, after a few weeks it holds post, charging…
- Choosing a sofa: what really mattersA sofa is the most expensive and longest-lasting piece in most living rooms. And it is the one where the…
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- Choosing an armchair: size, material, positionAn armchair is usually bought for its looks and judged by its comfort. The two are less connected than one…
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- How Natural Materials AgeA piece of furniture made of solid wood, leather or stone looks different after five years than on the day…
- Why a Room Feels Restless Even Though Every Piece Is BeautifulThere are rooms in which every single piece is good and yet the room as a whole never feels settled. The rug…
- Side Tables: The Right Height for Each Piece of FurnitureA side table is the piece of furniture that is measured least often and placed wrongly most often. It takes…
- Lighting the Living Space: Kelvin, Lumens and Three LevelsLight is the only furnishing decision that changes twice a day. Until the afternoon the window does the…
Origin, Material & Craft
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- Wood moves: why joints shift and boards crackWood is the only material in the living space that keeps moving after it has been worked. It takes up…
- Fragrance without flame: how wax and diffusers workA home fragrance without a flame and without electricity does not sound very technical. In fact there are…
- Rug fibres: wool, jute and polypropylene comparedWith a rug, the fibre determines almost everything: how it feels, how quickly it looks dirty, whether it…
- Acrylic and PLA: where plastic is the better materialPlastic has a poor reputation in interiors, and mostly rightly so: it is used because it is cheaper. But…
- Metal in the living space: why brass tarnishes and stainless steel does notMetal is the only material in the living space where almost everything you see is only a few micrometres…
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Rooms
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- The terrace as additional living spaceMost terraces are furnished, but not arranged. Four chairs around a table, everything against the house wall…
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- Furnishing rooms with little daylightA room with little daylight is usually painted white. That is the obvious choice and often the wrong one –…
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