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KOMMA Ottoman

KOMMA Ottoman

Regular price 6.924,00
Regular price Sale price 6.924,00
Sale Sold out

incl. VAT, free shipping

Out of stock

Delivery time approx. 9–13 weeks

KOMMA is a large ottoman in the shape of a comma, upholstered in light velvet on a frame of solid wood and plywood. A piece of seating for the middle of the room.
Quantity
Details

The ottoman is carried by two people by the frame underneath, not by the cover, and is free-standing in the room.

Included

One ottoman, in one piece, no assembly.

Material & Dimensions
Material Velvet, foam upholstery, frame of solid wood and plywoodDimensions Width 242 cm (95.3 in) · depth 120 cm (47.2 in) · height 42 cm (16.5 in)Design A continuous curve in the shape of a comma, with no corners and no backrest, the same height throughout.Origin ItalyWeight 60 kg (132.28 lb)
Shipping & Returns

Free shipping. The delivery time is shown above; it depends mainly on the maker and on the shipping method (parcel or freight carrier). Shipping is insured and in protective packaging.

14-day right of return. Return in the original packaging; you bear the return costs.

Care

Vacuum the velvet regularly with a soft brush or the upholstery nozzle in the direction of the pile. Dab stains immediately with a slightly damp cloth, do not rub, no solvents.

View full details
KOMMA ottoman in detail, continuous seam, curved edge and dark foot – Lorenz Laurent Home

Description

A comma is the smallest mark that halts a sentence without ending it. A round head at the top, a sweep at the bottom that tapers away. The reader pauses briefly, then reads on.

KOMMA brings this sweep into the room. The seat runs in a single curve without a corner: along one long side it swings inwards, and both ends are round. KOMMA has no backrest; the surface lies at a height of 42 cm (16.5 in) throughout.

Beneath the light velvet lies a frame of solid wood and plywood, topped with high-density foam. Made in Rimini, intended for the middle of a room rather than for the wall.

On the material

Materials You Can See and Feel

A room looks expensive or cheap long before anyone knows a price. The difference rarely lies in the form. It comes from how surfaces treat light: whether they reflect it, absorb it or scatter it.

That is why material is not a question of taste but a decision with consequences – for the look, but also for care. What each of the major materials can do and where it reaches its limits is set out here.

Read more

From the Journal

Journal

Origin, Material & Craft

Rooms