Skip to product information
1 of 3

Vases

STRATO Vase

STRATO Vase

Regular price 812,00
Regular price Sale price 812,00
Sale Sold out

incl. VAT, free shipping

Out of stock

Delivery time approx. 7–9 weeks

STRATO is a cone-shaped ceramic vase set into a block of white Carrara marble: two layers that support each other.
Quantity
Details

Vase and base belong together; the vase only stands securely in the base and is carried with both hands holding the base.

Included

One vase with marble base.

Material & Dimensions
Material Ceramic, base of white Carrara marbleDimensions Width 30 cm (11.8 in) · depth 30 cm (11.8 in) · height 18 cm (7.1 in) / Width 18 cm (7.1 in) · depth 18 cm (7.1 in) · height 35 cm (13.8 in)Design A ceramic cone on its tip, held by a block of Carrara marble.Origin ItalyWeight 7 kg (15.43 lb)
Shipping & Returns

Free shipping. The delivery time is shown above; it depends mainly on the maker and on the shipping method (parcel or freight carrier). Shipping is insured and in protective packaging.

14-day right of return. Return in the original packaging; you bear the return costs.

Care

Wipe marble and ceramic with a damp cloth; no acids such as vinegar or lemon on the marble, dry water rings immediately.

View full details
STRATO vase in detail, ceramic cone in the notch of the marble block – Lorenz Laurent Home

Description

Strato, the layer. Rock lies in strata one above the other, and where two layers meet, the material changes: limestone on clay, light on dark.

STRATO sets two such layers on top of each other. A block of white Carrara marble carries a ceramic vase that stands as a cone on its tip and only finds its hold in the stone. What floats above is set into what lies below.

Marble and ceramic are worked on the lathe and with CNC milling and finished by hand in Italy. Two materials that are neighbours in the mountain and here lie on top of each other once more.

On the material

Materials You Can See and Feel

A room looks expensive or cheap long before anyone knows a price. The difference rarely lies in the form. It comes from how surfaces treat light: whether they reflect it, absorb it or scatter it.

That is why material is not a question of taste but a decision with consequences – for the look, but also for care. What each of the major materials can do and where it reaches its limits is set out here.

Read more

From the Journal

Journal

Origin, Material & Craft

Rooms