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ANFORA Vase

ANFORA Vase

Regular price 1.339,00
Regular price Sale price 1.339,00
Sale Sold out

incl. VAT, free shipping

Out of stock

Delivery time approx. 7–9 weeks

An amphora of Lecce stone with an etched iron top.
Quantity
Details

A single piece weighs 9 kg (19.84 lb), the set of three 27 kg (59.52 lb). Carry by the stone body, not by the iron top.

Included

Depending on the selection, one amphora in white, beige or brown – or the set in all three colours.

Material & Dimensions
Material Lecce stone and etched ironDimensions Width 18 cm (7.1 in) · depth 18 cm (7.1 in) · height 30 cm (11.8 in), per pieceDesign The form draws on ancient amphorae; the stone base is CNC-milled, the iron etched and finished by hand.Origin ItalyWeight 9 kg to 27 kg (19.84 lb to 59.52 lb)
Shipping & Returns

Free shipping. The delivery time is shown above; it depends mainly on the maker and on the shipping method (parcel or freight carrier). Shipping is insured and in protective packaging.

14-day right of return. Return in the original packaging; you bear the return costs.

Care

Dust dry. Lecce stone is a soft limestone and absorbent – remove liquids immediately, do not use acidic cleaners.

Do not wipe the etched iron with a wet cloth; keep it dry, otherwise surface rust will form.

View full details
ANFORA vase with a CNC-machined stone base and hand-worked iron from Italy – Lorenz Laurent Home

Description

Amphorae are among the oldest vessels of the Mediterranean; wine and oil travelled across the sea in them long before anyone spoke of design.

The ANFORA takes this form and reinterprets it: a base of Lecce stone, precisely machine-milled, and above it iron, etched and finished by hand. The soft southern Italian limestone and the dark metal work against each other, and that tension is what brings the piece to life.

Made in Italy, in white, beige and brown – singly or as a set of three.

On the material

Materials You Can See and Feel

A room looks expensive or cheap long before anyone knows a price. The difference rarely lies in the form. It comes from how surfaces treat light: whether they reflect it, absorb it or scatter it.

That is why material is not a question of taste but a decision with consequences – for the look, but also for care. What each of the major materials can do and where it reaches its limits is set out here.

Read more

From the Journal

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